Datebook: July 2025

TINSMITH JUSTIN GALLEGOS MAYRANT got his start at the youth market of Santa Fe’s Traditional Spanish Market in 1998. His ornate crosses, framed mirrors, candleholders, light fixtures, and holiday ornaments feature elaborate handstamped shapes and fine details. “I am known for my intricacy and for creating sculptural work,” says Mayrant, who primarily works on large-scale commissions for much of the year. But the Spanish Market, which has showcased traditional tinwork, retablos, wood carvings, colcha embroidery, and other Spanish Colonial arts since its founding in 1926, allows him to flex his creativity on smaller pieces. “I get to do whatever I want,” he says, “ideas that have piled up throughout the year.” For this year’s market, which takes over Santa Fe Plaza July 26–27, Mayrant is especially excited about a pair of sconces featuring antique mirrors. “The level of detail is in line with a jeweler,” he says. Mayrant encourages market goers to talk with the artists and ask questions. Here are three to get you started. —Maria Manuela

What is it made of? Many artists are using unique materials, Mayrant says. “Some make their own pigments and gesso or source unique woods and straws,” he says. “Not all artists are vocal about that, so the info doesn’t get out.”

What training is involved? Mayrant did an eight-year apprenticeship with Santa Fe tinsmith Michael E. Griego. “He gave me handmade tools and always stressed the importance of quality over quantity,” Mayrant says. “He gave me the guidance I needed and encouraged me to do my own thing.” 

How much can be made? Mayrant works with materials gifted to him from the estate of master tinsmith Robert Woodman, who created extraordinary frames with back-painted glass. “He was John Gaw Meem’s tinsmith,” Mayrant says. “When this material is gone, I will retire. One thing that’s very important to me now is this sense of obligation to this material. It’s the equivalent of a painter only having so many canvases.”